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Description:
Film tries to, wants to tell a lot, thought a lot, and have so many ideas, half-baked, some are way more than baked/overcooked ideas. And not one idea have an approach which is worth to be made as a story.
I won't call it charlatan or pseudo-intellectualism which is so commonly seen, exhibited hang on across today's films in every industry and world too. May be trying for anthology saved them from this situation. But its somehow lingering at many of their parts too. I feel they could have just kept a simple old couple's story as the main theme and other stories as connected to the old couple kind off approach. Like a grandson who is drug addict, a rowdy son who wanting to bring his parents but get involved in case of egoistic corporate guy kind off. And younger police guy who is waiting for his parents to take them for trip get struck watching the ego, class clash of the people and the migrant lady's struggle. Something which binds all together, and leaving it open at the end. And dystopia wasn't even required for that matter. That nonsensical looking poorly designed vehicle and guns, and pointless reason wanting to kill for story as a savior, is so clichéd. Dystopia was clearly pointless and just a weak setup to begin with.
Storyline:
Every worm at least once in its lifetime gets an opportunity to transform itself into a butterfly.
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